Review: “The End of Oak Street”

It isn’t far into its runtime before the double meaning in the title of David Robert Mitchell’s rather unclassifiable throwback blockbuster The End of Oak Street becomes clear. The first alludes to the film’s literal location, a cul-de-sac at the back of a neighborhood called Flowervale, circa 1982. Our first glimpse of it is one […]

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Review: “One Night Only”

As One Night Only, Will Gluck’s portrait of a dystopian hellscape masquerading as a frothy rom-com, approaches its third act, a potential love interest for Monica Barbaro’s Allie caps a whimsically-delivered monologue about how a government mandate forbidding pre-marital sex outside of an annual 12 hour time frame actually makes the act more special and […]

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Review: “The Odyssey” (2026)

I glided off of Christopher Nolan’s adaptation of Homer’s epic poem The Odyssey in much the same way I do Denis Villeneuve’s Dune movies, the mass appeal of which I decided long ago I will never comprehend. I sincerely believe you can make a serious-minded epic without requiring every cast member to deliver broodingly one-note […]

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Review: “Toy Story 5”

I was five years old when Pixar’s first feature-length film, Toy Story, was released in theaters at the end of 1995. Now I’m 35, and the fifth installment of what’s become a classic animated series with an unfathomable amount of supplementary media and that kickstarted an entire studio’s popularity is just entering theaters. It’s so […]

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Review: “Disclosure Day”

Steven Spielberg’s Disclosure Day— part fast-paced chase movie, part sprawling collage of cosmic ideas that marries empathy-driven storytelling with blockbuster spectacle—opens with a literal gut punch directed at the audience. The camera, assuming the position of a wrestler in the ring, rockets violently backward as he absorbs a blow from his opponent, and continues to […]

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Review: “Together”

Almost everything about Together— the debut feature from writer and director Michael Shanks— is precise. The formal rigor of its lore-heavy script. The perfectly matched leads in Dave Franco and Allison Brie, long-term partners in real life playing long-term partners on screen. The exquisitely-rendered visual effects, which are just squirm-inducing enough to make the audience […]

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Review: “Superman” (2025)

Richard Donner’s 1978 Superman still inspires a sense of awe with each subsequent rewatch, nearly 50 years after its initial release. I can’t quite say why this hold true for me too, seeing as how I wasn’t even alive when it premiered. Maybe it’s Christopher Reeve’s impressive performance, and how he subtly alters his physicality […]

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Review: “F1”

The racing sequences in F1 are slick and propulsive. That’s evident from the jump, when former F1 star and current fallen-from-grace-racer-for-hire Sonny Hayes (Brad Pitt) hops into his car at the 24 Hours of Daytona. The quick cuts and the cinematography (with several cameras positioned inside each car granting a first-hand perspective of the race), […]

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Review: “28 Years Later”

Hope. That’s the element of Danny Boyle’s 2002 apocalyptic horror film 28 Days Later that surprised me the most. Of course, a lot of my reaction can likely be credited to the fact that, despite its generally enthusiastic reception, it passed me by until I finally sought it out a couple months ago, and that […]

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