Review: “Toy Story 5”

I was five years old when Pixar’s first feature-length film, Toy Story, was released in theaters at the end of 1995. Now I’m 35, and the fifth installment of what’s become a classic animated series with an unfathomable amount of supplementary media and that kickstarted an entire studio’s popularity is just entering theaters. It’s so […]

Review: “Leviticus”

What do you do when the object of your desire turns against you— or you turn against it? That tension between lust and livelihood is explored quite literally in writer and director Adrian Chiarella’s debut feature Leviticus, which fast proves to be an incredible concept for a queer horror movie that’s ultimately too sparsely realized […]

Review: “Disclosure Day”

Steven Spielberg’s Disclosure Day— part fast-paced chase movie, part sprawling collage of cosmic ideas that marries empathy-driven storytelling with blockbuster spectacle—opens with a literal gut punch directed at the audience. The camera, assuming the position of a wrestler in the ring, rockets violently backward as he absorbs a blow from his opponent, and continues to […]

Review: “Two Seasons, Two Strangers”

I knew immediately after I watched his previous feature, All the Long Nights, on a whim in Berlin a couple years ago that Japanese filmmaker Sho Miyake was going to be one of my guys. Two Seasons, Two Strangers (which won the Golden Leopard at the 2025 Locarno Film Festival) is similarly a carefully observed […]

Review: “I Love Boosters”

Boots Riley is a loud artist. He’s loud in his visual approach to storytelling, crafting gloriously chaotic collages of color and mixed media, running the gamut from stop-motion animation and practical effects to in-camera stunt work and idiosyncratic original soundtracks. And he’s loud in his rhetoric. Riley’s incendiary 2018 feature directorial debut, Sorry to Bother […]

Review: “Star Wars: The Mandalorian and Grogu”

On the press tour for Star Wars: The Mandalorian and Grogu, director Jon Favreau cited Flash Gordon— specifically the 1936 Universal serial starring Olympic athlete Buster Crabbe, divided into 13 15-20 minute chapters that would screen before feature films in the theater— as a key influence on his movie. The space adventure was an inspiration […]

Cannes 2026: “The Station”

The Station, Yemeni-Scottish director Sara Ishaq’s thoughtful and humanity-filled fictional feature debut premiering in Critics’ Week at Cannes, begins with title cards that utilize the language of storytelling to set the framework for its world: “Once a land known for its abundance and powerful queens, Yemen was a bustling gateway between civilizations… But wars fueled […]

Cannes 2026: “Blaise,” “Flesh and Fuel”

The Cannes Film Festival annually overflows with an embarrassment of riches, but while many eyes turn to cinema’s most prestigious event (celebrating its 79th edition in the south of France this year) for its high profile premieres– ranging from the newest works from some of the most acclaimed auteurs working to much anticipated blockbusters– its […]

Cannes 2026: “Shana”

Shana (Eva Huault) has nothing going for her. Her toxic lover is in prison. She works a dead-end food service job, to the ridicule of her bougie family, who she shares a, at best, fraught relationship with due to past strife. Her grandmother just died, but she left her a ring, a striking gold bird-shaped […]

Review: “Stolen Kingdom”

When describing his proposed Experimental Prototype Community of Tomorrow— later to be known as EPCOT, one of Walt Disney World’s handful of unique theme parks— Walt Disney stated that he envisioned that it “will always be in a state of becoming.” It’s surprising to learn, therefore, that even as outwardly Disney Parks adhere to that […]