Review: “Master Gardener”

If First Reformed asked, “Will God forgive us?” and The Card Counter asked “Is there is a limit to punishment?” while asserting that “the body remembers,” the prevailing question that Master Gardener—the third piece in what has been dubbed writer/director Paul Schrader’s “God’s Lonely Man” trilogy—asks its audience is something a little less fraught: “Are […]

Read More Review: “Master Gardener”

Review: “Fast X”

Nine movies and a trilogy? That’s the direction the Fast and Furious franchise is turning toward, as it begins heading down the long road to wrapping up the series that began 22 years ago as a thriller about street racing. We’ve heard this before; the series’ supposed tenth and final film was soon announced to […]

Read More Review: “Fast X”

Review: “Twilight” (1990)

Hungarian filmmaker György Fehér’s 1990 noir Twilight (Szürkület), loosely based on Friedrich Dürrenmatt’s 1958 novel The Pledge: Requiem for the Detective Novel, is a film that’s been so rarely seen, there isn’t even an existing Wikipedia article about it, and the press release announcing its new 4K restoration wasted no time drawing a comparison to […]

Read More Review: “Twilight” (1990)

Review: “Blackberry”

Ask most people now, and they probably would consider the BlackBerry a bit of a joke. One of the first iterations of the smartphone, the rapid decline of the company paired with the design of the phone itself—rather clunky, with a keyboard that takes up half of its surface, compared with the sleek all-touchscreen iPhone—would […]

Read More Review: “Blackberry”

Review: “Passion” (2008)

When friends gather at a restaurant—a glimpse at the sign above the entrance, El Secreto, not-so-subtly foreshadowing what’s about to occur inside— to celebrate Kaho’s (Aoba Kawai) birthday, the jovial gathering spirals into an evening fraught with questions and confusion when Kaho and her boyfriend Tomoya (Ryuta Okamoto) make an announcement that ought to have […]

Read More Review: “Passion” (2008)

Review: “The Taking”

John Ford. John Wayne. Cowboys and six-shooters, Native Americans and horses and epic battles to survive not only squabbles with other humans, but the unforgiving landscape they’ve settled in, one made of both towering beauty and abject terror. These elements, and dilemmas physical, moral, and spiritual, have come to define the western film genre. Just […]

Read More Review: “The Taking”

Review: “Beau Is Afraid”

At first blush, Beau Is Afraid— the third feature from writer/director Ari Aster—is radically different from his previous works. Hereditary and Midsommar can both be more neatly classified as horror, while his three hour epic Beau Is Afraid can perhaps most succinctly be boiled down to an absurdist interpretation of the hero’s journey. But there’s […]

Read More Review: “Beau Is Afraid”