KVIFF 2026: “Teenage Sex and Death at Camp Miasma”

Kris (Hannah Einbinder) has just settled into her room in a sleepy hotel in a rural town, bordering a forest that’s blanketed with snow. If that remote environment sounds rather too quaint for a seemingly savvy young person, know that this trip isn’t purely for pleasure. At 29 years old, Kris is a Sundance wunderkind […]

KVIFF 2026: “Chica Checa”

Zdena (Pavla Tomicová) works as a mail carrier in the small Czech town where she’s lived all her life. She promised her husband before he passed away that she’d be able to take care of their house on her own, but she’s managing that about as well as her life. The building is in desperate […]

Review: “Leviticus”

What do you do when the object of your desire turns against you— or you turn against it? That tension between lust and livelihood is explored quite literally in writer and director Adrian Chiarella’s debut feature Leviticus, which fast proves to be an incredible concept for a queer horror movie that’s ultimately too sparsely realized […]

Review: “Backspot”

Sports movie tropes abound in D.W. Waterson’s feature directorial debut Backspot, but it’s in how those tropes are employed that the film creates and sustains interest. Perhaps its most notable trait is that it centers around a sport that for a long time largely hasn’t been considered as such, both on and off screen. Cheerleading […]

Review: “L’immensità”

In Emanuele Crialese’s L’immensità, Andrew (Luana Giuliani) is a 12-year-old boy wresting with his gender identity. Born Adriana, his parents Felice (frequent Crialese collaborator Vincenzo Amato) and Clara (Penélope Cruz) still call him by that name, and address him as “young lady.” They aren’t exactly hostile, and yet, their inability to understand or, in the […]

Tribeca Review: “Break the Game”

Narcissa Wright is more than just an avid gamer. You could say that video games are her life. She’s set speed run records in many games (that’s when you beat a game as fast as possible in one go), competing in competitions and winning awards. Thousands of followers watch her Twitch streams. But as supportive […]

Tribeca Review: “Chasing Chasing Amy”

In 1994, Kevin Smith’s black-and-white, low-budget comedy Clerks took the indie film world by storm, first at its Sundance premiere (which it entered with virtually no buzz), then critics and audiences, cracking many end-of-the-year lists. Smith’s 1995 follow-up Mallrats was less well-received. But it’s Smith’s third film set in the same universe, the 1997 romantic […]