True/False 2025: “Writing Hawa,” “Requiem for a Tribe,” “A Want in Her”

Among the many reasons why the True/False Film Festival, Columbia, Missouri’s annual celebration of the documentary form, is my favorite festival to attend is that it highlights fresh (and frequently side-lined) perspectives. The three films I’ve written about below— Writing Hawa, Requiem for a Tribe, and A Want in Her— all swirl around topics of […]

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Review: “Grand Theft Hamlet”

To game, perchance to dream. During the United Kingdom’s third COVID-19 related lockdown in 2021, Sam Crane and Mark Oosterveen— London-based actors unable to find work while their industry remained at a standstill— found a way to merge two seemingly disparate interests: Shakespeare, and Grand Theft Auto. The latter— an online open world video game […]

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Review: “Nocturnes”

You likely won’t walk out of Anirban Dutta and Anupama Srinivasan’s Nocturnes with a lot of newfound facts and figures about moths knocking about in your brain. What their film accomplishes, however, is much more impressive than many nature documentaries: an inherent love for and understanding of the need to protect these creatures, achieved not […]

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Review: “Sugarcane”

In 2021, numerous unmarked graves were discovered on the grounds of St. Joseph’s Mission, a former Canadian residential school situated near the Sugarcane Indian Reserve near Williams Lake in British Columbia. This wasn’t the only school where such a discovery was made. It is, however, where directors Julian Brave Noisecat and Emily Kassie choose to […]

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Review: “Soundtrack to a Coup d’Etat”

Soundtrack to a Coup d’Etat— Johan Grimonprez’s documentary tracking the events leading up to the 1961 assassination of Congolese leader Patrice Lumumba that’s comprised entirely of archival footage and audio and text excerpts from a wide range of sources and first-hand accounts— opens at the close. Text rippling across the screen illustrate the dialogue between […]

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