True/False 2026: “Who Moves America”

The title of Who Moves America, Yael Bridges’ galvanizing crowd-pleaser, poses the film’s central thesis statement with succinct clarity: that the world runs on the labor of the most underpaid and undervalued workers, whose inability to walk away from a consistent, decently paying job— regardless of the long hours and inhumane working conditions— keeps them […]

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Review: “WTO/99”

Astonishing, incendiary, and eerily prescient, Ian Bell’s documentary WTO/99 may depict one single event in American history, but does so in manner that reveals the ripple effects that globalization and anti-environmental, anti-labor practices— far from mainstream, hot button issues at the brink of the new millennium— have had on our current climate, economic, and human […]

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Review: “Trains”

Trains opens with a quote by Franz Kafka: “There is plenty of hope, an infinite amount of hope…but not for us.” Those are characteristically bitter words from the Jewish Czech writer, attributed to a conversation between Kafka and his writer friend Max Bond when the latter asked the former his thoughts on hope outside the […]

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Review: “Chain Reactions”

What more can you say about a movie so iconic that there’s seemingly nothing new to be said? That sentiment doesn’t deter Alexandre O. Philippe, whose essay films encompass cinematic topics ranging from the obvious (David Lynch’s obsession with The Wizard of Oz, Kim Novak’s role in Vertigo) to the niche (the iconography of Monument […]

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Review: “Megadoc”

“I built my career following Francis,” George Lucas states in new interviews conducted by Mike Figgis for his documentary Megadoc, a fly-on-the-wall chronicle of director Francis Ford Coppola’s epic Megalopolis, his decades-gestating, self-financed dream project that— following a lengthy and fraught production— finally premiered at Cannes last year to largely critical pans and mass confusion. […]

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