True False 2023 Dispatch: “Art Talent Show,” “Time Bomb Y2K,” “How to Have an American Baby”

For my fifth dispatch from the 2023 True/False Film Festival, I’m spotlighting three documentaries that are all preoccupied with capturing a moment in time: the hilarious Art Talent Show and Time Bomb Y2K, and the gut-wrenching How to Have an American Baby. Read my capsule reviews of those films below. ART TALENT SHOW dirs. Adéla […]

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True/False 2023 Dispatch: “Going Varsity in Mariachi,” “Bad Press”

For my next dispatch from the 2023 True/False Film Festival, I’m spotlighting two underdog stories that recently premiered at Sundance: Going Varsity in Mariachi, the festival’s 2023 Show Me True/False selection, and Bad Press, the recipient of this year’s True Life Fund. Read my reviews below. GOING VARSITY IN MARIACHI dirs. Sam Osborn and Alejandra […]

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True/False 2023 Dispatch: “Milisuthando,” “Ramona,” “Anhell69”

One of the most interesting and fun things about watching so many movies in quick succession is spotting some of their similarities and shared themes. Both Milisuthando, which recently premiered at Sundance, and Anhell69, which also screens at SXSW this weekend, are powerful personal essays, and Anhell69 and Ramona (my favorite film from the fest) […]

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True/False 2023 Dispatch: “R 21,” “Feet in Water, Head on Fire,” “Paradise”

As this nourishing few days of documentary cinema at the 2023 True/False Film Festival approaches its conclusion, I’ve got mini reviews of 3 more films I’ve watched this weekend. R 21 AKA Restoring Solidarity presents rare and recently restored films created in solidarity with the Palestinian fight for freedom, while Feet in Water, Head on […]

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True/False 2023 Dispatch: “Going to Mars,” “Red Herring,” “Dogwatch”

Greetings from the 20th True/False Film Festival! I’m excited to be back in Columbia, Missouri this weekend celebrating thrilling new works of documentary filmmaking. For my first batch of capsule reviews from this year’s festival, I’m looking at two feature debuts (one a world premiere) and a doc about a well-known subject that recently premiered […]

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True/False Day 4: “The Delights,” “The Territory,” “After Sherman,” “Açucena,” “Gods of Mexico”

Here’s my recap of the films I watched on my fourth and final day covering the 2022 True/False Film Festival, which saw what ended up being my favorites of the fest (“The Territory” and “Gods of Mexico”), as well as “The Delights,” “Açucena,” and “After Sherman.” Read my reviews of all those movies below. “THE […]

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True/False Day 3: “The Balcony Movie,” “Mr. Landsbergis,” “Dos Estaciones,” “Fire of Love”

For my third batch of reviews from the 2022 True False Film Festival, I’m recapping two Sundance premieres (“Dos Estaciones” and the much-buzzed-about “Fire of Love,”), the crowd-pleasing “The Balcony Movie,” and the epic four hour “Mr. Landsbergis.” You can read my thoughts on those films below. “THE BALCONY MOVIE“ On a sunny day, filmmaker Paweł […]

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True/False Day 2: “Sirens,” “Children of the Mist,” “Days and Nights of Demetra K.,” “Let the Little Light Shine,” “We Met in Virtual Reality”

My second day of screenings at the True/False Film Festival in Columbia, Missouri saw a wide range of documentary features, from crowd-pleasers like the inspiring “Let the Little Light Shine” (its world premiere) to raw portraits of minority groups, like the young Hmong women of “Children of the Mist.” You can find my reviews of […]

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True/False Day 1: ”Mija,” ”Riotsville, USA,” ”2nd Chance”

Greetings from the 2022 True/False Film Festival! I’m in Columbia, Missouri this weekend as the festival, which focuses on documentary filmmaking, returns to in-person screenings for this year’s edition. For the first day of the festival, I was able to catch three feature documentaries, all of which coincidentally premiered virtually at the Sundance Film Festival […]

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