Review: “Verity”

Midway through Verity— director Michael Showalter’s adaptation of Colleen Hoover’s 2018 psychological thriller novel— Lowen (Dakota Johnson) says at her belated birthday dinner, “I have resting bored face.” It’s a response to Jeremy’s (Josh Hartnett) accusation that she looks like she’s either not listening to him, or is uninterested in what he’s telling her. Humorously […]

Review: “Star Wars: The Mandalorian and Grogu”

On the press tour for Star Wars: The Mandalorian and Grogu, director Jon Favreau cited Flash Gordon— specifically the 1936 Universal serial starring Olympic athlete Buster Crabbe, divided into 13 15-20 minute chapters that would screen before feature films in the theater— as a key influence on his movie. The space adventure was an inspiration […]

Tribeca Review: “Let the Canary Sing”

“She deserves better” was the first thought that crossed my mind as the credits rolled on Let the Canary Sing, Alison Ellwood’s documentary on the life and career of the pop star Cyndi Lauper. Lauper, who became an instant icon of 80s youth with the release of her album She’s So Unusual (which featured songs […]

Tribeca Review: “Öte”

“Wait—you’re here alone?” That’s a question I’ve received a lot over the years, the almost guaranteed first reaction of strangers when I strike up a conversation with them in a city that isn’t my own. I’ve mostly gotten used to it, first from traveling for work, and then from traveling on my own for pleasure. […]

Tribeca Review: “Cinnamon”

Writer/director Bryian Keith Montgomery Jr.’s stylish debut feature film Cinnamon is described as recalling 70s Blaxploitation films. Naturally, this requires some unpacking of that subgenre, whose name was coined literally from a portmanteau of the words “black” and “exploitation.” As much as Blaxploitation movies—whose stories usually revolved around crime and graphic violence—centered around empowering Black […]

Tribeca Review: “Breaking the News”

In early 2017, Donald Trump was sworn in as President, and the Women’s March on Washington served as a scream for many of America’s frustrated and scared inhabitants. Amidst the fear and uncertainty, journalist Emily Ramshaw saw a possibility. She left her steady job with the Texas Tribune along with colleague Amanda Zamora and started […]

True/False 2023 Dispatch: “Tavuri,” “Three Women,” “The Stroll”

For my sixth and final dispatch from this year’s True/False Film Festival, I’m reviewing the final three documentaries I saw: Tavuri, the wild story of a con artist; the tender slice of life Three Women; and the powerful story of NYC’s trans sex workers, The Stroll, which is coming to HBO later this year. Read […]

Review: “Scoob!”

Scooby-Doo and the Mystery, Inc. gang have survived countless iterations since their television debut as a Hanna-Barbera cartoon in 1969. Now, they are featured in a new 3D animated feature film, “Scoob!”, which combines nostalgia for the original show with modern updates. Directed by Tony Cervone, the opening of the film is an origin story […]

Cinema Classics: “The Young Girls of Rochefort” (1967)

In 1964, French director Jacques Demy’s musical film “The Umbrellas of Cherbourg” (Las parapluies de Cherbourg) was an international sensation, winning the Palmes d’Or at Cannes and being nominated for five Academy Awards. Even watching it today, it’s easy to see why. “Cherbourg” is unique in that it is entirely sung through, as opposed to […]

Review: “Birds of Prey”

4 out of 5 stars. Comic book movies can be dicey territory, but I think it’s safe to say that most people found the 2016 ensemble film “Suicide Squad” to be an unsatisfying mess. The best part of that movie, however, was that it gave us Margot Robbie’s portrayal of Harley Quinn. The character, who […]