SXSW Dispatch: “Late Bloomers,” “Parachute,” “The Starling Girl”

For this dispatch from this year’s SXSW Film Festival, I’m reviewing three films from first-time female filmmakers that all center around women confronting their circumstances and grappling with what they want out of their lives. Two of those films had their world premieres at the festival (Parachute and Late Bloomers) while The Starling Girl recently […]

SXSW Dispatch: “The Young Wife,” “Appendage,” “I Used to Be Funny”

For my final batch of reviews from the 2023 SXSW Film Festival, I’m covering three more (very different) films from female filmmakers: Tayarisha Poe’s The Young Wife (one of my top favorites of the fest), Ally Pankiw’s excellent I Used to Be Funny, which sees star Rachel Sennott taking a turn toward drama, and Anna […]

SXSW Review: “Problemista”

In his feature writing and directing debut, Julio Torres lends his deadpan comic stylings to Problemista, in which he also stars as Alejandro, an Ecuadorian immigrant who is living in New York City because he’s required to be situated in the United States to apply for his dream job: that of a toy designer for […]

SXSW 2023 Dispatch: “Molli and Max in the Future,” “Until Branches Bend,” “Tobacco Barns”

For the dispatch from the 2023 SXSW Film Festival, I’m tackling three films that made their world, international, and U.S. premieres in the festival’s Visions section. Read my reviews of Until Branches Bend, Tobacco Barns, and Molli and Max in the Future below. UNTIL BRANCHES BEND dir. Sophie Jarvis At the start of Until Branches […]

SXSW 2023 Dispatch: “This World is Not My Own,” “Black Barbie: A Documentary”

I’m so thrilled to be covering the South by Southwest (SXSW) Film Festival in Austin, Texas for the first time this weekend. I recently got to watch great two documentaries that had their world premiere at the festival, both centering around Black women and how they uplifted Black people, while examining the roles race and […]

SXSW Review: “My Drywall Cocoon”

Ritzy condominiums dot the majority of Brazil’s urban landscapes. They have everything their typically upper class residents could ever want or need, their safety ensured by the security cameras scattered around the complex. Writer/director Caroline Fioratti draws on her experience growing up in one such condominium, but watching them become more and more elite and […]

True/False 2023 Dispatch: “Tavuri,” “Three Women,” “The Stroll”

For my sixth and final dispatch from this year’s True/False Film Festival, I’m reviewing the final three documentaries I saw: Tavuri, the wild story of a con artist; the tender slice of life Three Women; and the powerful story of NYC’s trans sex workers, The Stroll, which is coming to HBO later this year. Read […]

True/False 2023 Dispatch: “Going Varsity in Mariachi,” “Bad Press”

For my next dispatch from the 2023 True/False Film Festival, I’m spotlighting two underdog stories that recently premiered at Sundance: Going Varsity in Mariachi, the festival’s 2023 Show Me True/False selection, and Bad Press, the recipient of this year’s True Life Fund. Read my reviews below. GOING VARSITY IN MARIACHI dirs. Sam Osborn and Alejandra […]

True/False 2023 Dispatch: “Milisuthando,” “Ramona,” “Anhell69”

One of the most interesting and fun things about watching so many movies in quick succession is spotting some of their similarities and shared themes. Both Milisuthando, which recently premiered at Sundance, and Anhell69, which also screens at SXSW this weekend, are powerful personal essays, and Anhell69 and Ramona (my favorite film from the fest) […]

Review: “Palm Trees and Power Lines”

It’s been a long time since I’ve been in school, but I remember that liminal space known as summer vacation. Days bleeding into each other with no job or commitments that require you to keep track of time, the overbearing heat prompting you to shuffle between the sunny poolside and dim air-conditioned interiors. When we […]