Review: “Whitney Houston: I Wanna Dance with Somebody”

Whitney Houston was the greatest voice of her generation, though you might not know it from the biopic “Whitney Houston: I Wanna Dance with Somebody,” the very title of which feels the need to explain a subject who needs no introduction. Her vocal prowess is never in question, but the film treads so lightly over […]

2022 OAFFC Nomination Ballot

I’ve been a member of the Online Association of Female Film Critics since its inception in 2017 and so have voted in the group’s annual awards every year since then, but for some reason I’ve never posted the ballot of nominees I come up with for each category every year. I’m not sure why; I […]

Review: “Please Baby Please”

As young men clad in leather jackets leap and twirl down a dark street, the opening scene of “Please Baby Please” immediately draws a visual parallel to the classic romantic musical “West Side Story,” which begins with rival gang members dancing around the city until they meet and conflict ensues. But Amanda Kramer’s “Please Baby […]

Review: “She Said”

It goes without saying that the New York Times’ October 2017 breaking of their investigation into sexual misconduct by influential Hollywood film producer Harvey Weinstein is the single most influential piece of journalism of the last decade. Investigated by Times reporters Jodi Kantor and Megan Twohey, the story’s publication resulted in 82 women coming forward […]

SLIFF 2022 First Time Female Filmmakers Roundup

A couple of weeks ago I had the pleasure of attending the 31st annual Whitaker St. Louis International Film Festival, which was held in person from November 3-13 in venues across the St. Louis area as well as online. Among the films I got to watch in person were Nikyatu Jusu’s stunning debut feature “Nanny” […]

TIFF 22 Female Filmmaker Roundup

When I attended the Toronto International Film Festival for the first time this year, I really wanted to prioritize watching films by female filmmakers, of which the festival seemed to have a great slate this year. Out of the 31 movies I saw at the festival, 11 of them were by female directors—a decent number, […]

Review: “Don’t Worry Darling”

Olivia Wilde’s 2019 directorial debut “Booksmart” was a genuinely warm and humorous look at female friendship. With her sophomore feature, Wilde broadens her scope in favor of a narrative that’s much more ambitious. But that’s about the best thing I can say about “Don’t Worry Darling,” a repetitive thriller whose feminist themes are too broad, […]

TIFF Review: “Corsage”

Toronto International Film Festival 2022 North American Premiere Romy Schneider made such an indelible impact playing Empress Elisabeth of Austria in the “Sissi” trilogy as a teenager in the mid-1950s that not only did the success of the films launch her into the celebrity stratosphere, but they have become a tradition in Austria and other […]

TIFF Review: “Daliland”

Toronto International Film Festival 2022 World Premiere and Closing Night Film A biopic of Spanish surrealist painter Salvador Dalí sounds like the perfect fit for director Mary Harron, with her background in the arts—she started her career as a researcher for the British arts program “The South Bank Show,” and her first feature film “I […]

TIFF Review: “Leonor Will Never Die”

Toronto International Film Festival Canadian premiere and Midnight Madness closing night film. There’s an indelible charm to 80s action movies, whether they’re good, bad, or as is often the case, so bad they’re good. Beyond the glorification of violence and celebration of masculinity at its most macho, the action is frequently creatively realized (particularly in […]