Berlinale 2026: “Nina Roza”

It’s been 30 years since Mihail (Galin Stoev) left his home country of Bulgaria behind for Canada, emigrating with his young daughter Roza following the loss of his wife. Now, he’s a Montreal-based art consultant, his validation of new talents prized by curators and collectors. He’s wholly left his Bulgarian roots behind; when the now-adult […]

Review: “Wuthering Heights” (2026)

The opening titles of Wuthering Heights— writer and director Emerald Fennell’s 2026 adaptation of Emily Brontë’s 1847 novel— dance across a black screen, accented by the sound of quick creaking, and a man’s increasingly heavy groans and sighs. It proves to be a moment of black amusement when the final credit cuts away to the […]

Review: “By Design”

With a lucidity that’s amusingly reflected in the lyrics of the Gershwin tune that recurs over the course of its runtime— “There’s a saying old, says that love is blind”— writer and director Amanda Kramer tackles the absurdity and tragedy of objectification in her latest feature film, By Design, the way that only a filmmaker […]

Review: “28 Years Later: The Bone Temple”

It’s difficult to watch, and even enjoy, 28 Years Later: The Bone Temple without feeling increasingly aware of its, shall we say, apparent lack of need to exist. A direct sequel to last year’s 28 Years Later that forms a bridge to a pending trilogy capper, director Nia DaCosta’s horror thriller pulls together characters from […]

Review: “The Voice of Hind Rajab”

It’s difficult to rate a film that dramatizes a real life event that is so recent and raw, and the product of a conflict that is still ongoing. It’s also difficult to deny the daring nature and beating heart of The Voice of Hind Rajab, which opens with the following title card: “The film is […]

Review: “Hamnet”

Chloé Zhao’s Hamnet opens with a quote from a 2004 article by Stephen Greenblatt titled “The Death of Hamnet and the Making of Hamlet”: “Hamnet and Hamlet are in fact the same name, entirely interchangeable in Stratford records in the late sixteenth and early seventeenth centuries.” It’s a plain, matter-of-fact statement, not the sort of […]

Review: “Die My Love”

Die My Love opens on an unexpected scene of stillness: a static camera trained on the interior of a rural Montana home, quietly observing the two people maneuvering around inside it: Grace (Jennifer Lawrence) and her partner Jackson (Robert Pattinson), who inherited the dilapidated house from his uncle, who committed suicide there. Perhaps that doesn’t […]

Review: “Put Your Soul on Your Hand and Walk”

Sepideh Farsi couldn’t enter Gaza. From Cairo, where she traveled in the hopes of crossing the Egypt/Palestine border to document the ongoing war in Gaza, an Israeli-imposed blockade obstructed all paths. But while speaking to Palestinian refugees in Cairo, Farsi met a man who suggested that she speak to Fatma (Fatem to those close to […]

Review: “Sunfish (& Other Stories on Green Lake)”

An anthology movie that drifts by with the laziness of a summer day on the lake where it is set, writer and director Sierra Falconer’s debut feature never builds to a profound crescendo, but it’s accomplished in style and substance all the same. A loosely autobiographical series of stories set around the Michigan lake near […]

Review: “The Mastermind”

He looks at the art, but he isn’t really looking at it. As he slowly slopes around the museum galleries, one of his young sons chattering animatedly in the otherwise silent place as the guard snoozes in his chair nearby, it’s clear from his furtive glances that he’s searching for something. Eventually, he sets his […]