Venice 2026: “Lovers in the Blue Night,” “What Belongs to Others”

The Venice Film Festival‘s Orizzonti section- which typically spotlights new voices in international cinema- has been particularly exciting this year (the delightfully quirky Diane in the Loop, which I also recently reviewed, just won the category’s prize for best film). Loneliness, whether in love or family or community, has been a common theme I’ve picked […]

Review: “The Currents”

At first glance, Lina (Isabel Aimé González Sola) appears to have it all. A comfortable life with her husband Pedro (Esteban Bigliardi) and daughter Sofia (Emma Fayo Duarte) in Argentina. A successful career as a fashion designer. So successful, in fact, that she travels to Switzerland to accept an award for her work. The opening […]

KVIFF 2026: “Robert Richardson: The White Devil,” “The Hanging of Stuart Cornfeld”

I generally enter biographical documentaries— especially ones centered on Hollywood figures— with arms crossed and an eyebrow raised, but I thought both of the industry docs I watched at the Karlovy Vary International Film Festival this week, programmed as part of the festival’s Special Screenings sections— Robert Richardson: The White Devil (the thrice Academy Award-winning […]

KVIFF 2026: “Tycoon,” “Five Years, Four Months,” “Against Nature”

This year marks my first time attending the Karlovy Vary International Film Festival, and I’ve been amazed not only by the beauty of the Czech spa town where it takes place, but the diversity of its programming, which has been exciting to experience whether I’ve gelled with a film or not. The three films reviewed […]

KVIFF 2026: “Teenage Sex and Death at Camp Miasma”

Kris (Hannah Einbinder) has just settled into her room in a sleepy hotel in a rural town, bordering a forest that’s blanketed with snow. If that remote environment sounds rather too quaint for a seemingly savvy young person, know that this trip isn’t purely for pleasure. At 29 years old, Kris is a Sundance wunderkind […]

KVIFF 2026: “Black Money for White Nights”

The White Nights are a natural phenomenon like no other. For a brief period over the summer, the sun barely dips below the horizon in high latitude areas, meaning that daylight sticks around for a full 24 hours. It’s a sight that Marina (Tanya Shahova) has yearned to witness for the last 30 years. Sixty […]

Cannes 2026: “The Station”

The Station, Yemeni-Scottish director Sara Ishaq’s thoughtful and humanity-filled fictional feature debut premiering in Critics’ Week at Cannes, begins with title cards that utilize the language of storytelling to set the framework for its world: “Once a land known for its abundance and powerful queens, Yemen was a bustling gateway between civilizations… But wars fueled […]

Cannes 2026: “Shana”

Shana (Eva Huault) has nothing going for her. Her toxic lover is in prison. She works a dead-end food service job, to the ridicule of her bougie family, who she shares a, at best, fraught relationship with due to past strife. Her grandmother just died, but she left her a ring, a striking gold bird-shaped […]

Review: “You, Me & Tuscany”

As comforting as a warm platter of pasta, You, Me & Tuscany welcomes the return of the predictable, low-stakes romantic comedy to theaters. Director Kat Coiro and writer Ryan Engle’s film is the sort of movie that nowadays is typically relegated to straight-to-streaming— so much so that when I first glimpsed its poster, featuring its […]

Review: “Forbidden Fruits”

Meredith Alloway’s wicked debut feature film, the off-beat horror comedy Forbidden Fruits, is a truly odd piece of work. Not odd because of its kooky premise, which centers around a group of young women who form a coven behind the scenes of the ritzy mall boutique where they work, their friendship and ideals built not […]