SXSW Dispatch: “Late Bloomers,” “Parachute,” “The Starling Girl”

For this dispatch from this year’s SXSW Film Festival, I’m reviewing three films from first-time female filmmakers that all center around women confronting their circumstances and grappling with what they want out of their lives. Two of those films had their world premieres at the festival (Parachute and Late Bloomers) while The Starling Girl recently […]

SXSW Dispatch: “The Young Wife,” “Appendage,” “I Used to Be Funny”

For my final batch of reviews from the 2023 SXSW Film Festival, I’m covering three more (very different) films from female filmmakers: Tayarisha Poe’s The Young Wife (one of my top favorites of the fest), Ally Pankiw’s excellent I Used to Be Funny, which sees star Rachel Sennott taking a turn toward drama, and Anna […]

SXSW 2023 Dispatch: “Molli and Max in the Future,” “Until Branches Bend,” “Tobacco Barns”

For the dispatch from the 2023 SXSW Film Festival, I’m tackling three films that made their world, international, and U.S. premieres in the festival’s Visions section. Read my reviews of Until Branches Bend, Tobacco Barns, and Molli and Max in the Future below. UNTIL BRANCHES BEND dir. Sophie Jarvis At the start of Until Branches […]

SXSW Review: “Bottoms”

We love a good double-entendre, and clearly, so does director Emma Seligman. Seligman’s sophomore feature following her fantastic 2020 film Shiva Baby reunites her with star and co-writer Rachel Sennott. Whereas Shiva Baby was simultaneously funny and anxiety-inducing, Bottoms—which centers around two lesbian high-schoolers who start a fight club as a means to get close […]

SXSW Review: “Flamin’ Hot”

Even the most mundane projects can have interesting stories behind them. And even the most interesting stories can make for the blandest movies. Eva Longoria’s directorial debut Flamin’ Hot draws from the memoirs of Richard Montañez, the uneducated Mexican American janitor who worked his way through the ranks of Frito Lay to become an executive, […]

SXSW 2023 Dispatch: “This World is Not My Own,” “Black Barbie: A Documentary”

I’m so thrilled to be covering the South by Southwest (SXSW) Film Festival in Austin, Texas for the first time this weekend. I recently got to watch great two documentaries that had their world premiere at the festival, both centering around Black women and how they uplifted Black people, while examining the roles race and […]

SXSW Review: “My Drywall Cocoon”

Ritzy condominiums dot the majority of Brazil’s urban landscapes. They have everything their typically upper class residents could ever want or need, their safety ensured by the security cameras scattered around the complex. Writer/director Caroline Fioratti draws on her experience growing up in one such condominium, but watching them become more and more elite and […]

True/False 2023 Dispatch: “Milisuthando,” “Ramona,” “Anhell69”

One of the most interesting and fun things about watching so many movies in quick succession is spotting some of their similarities and shared themes. Both Milisuthando, which recently premiered at Sundance, and Anhell69, which also screens at SXSW this weekend, are powerful personal essays, and Anhell69 and Ramona (my favorite film from the fest) […]

Review: “Palm Trees and Power Lines”

It’s been a long time since I’ve been in school, but I remember that liminal space known as summer vacation. Days bleeding into each other with no job or commitments that require you to keep track of time, the overbearing heat prompting you to shuffle between the sunny poolside and dim air-conditioned interiors. When we […]

Review: “Cocaine Bear”

Piranhaconda. Arachnoquake. Sharknado. Those are just a handful of the ridiculous titles of movies that promised an equally ridiculous premise that were prevalent on the Syfy Channel throughout the early to mid-2000s. Cocaine Bear sounds like another absurd creature feature that would feel right at home among them, but with one crucial difference: whereas those […]