True/False 2025: “Seeds,” “Deaf President Now!,” “The Track”

Inspiring stories make great fodder for documentaries, and such is the case with the following three films that screened at the 2025 True/False Film Festival: Seeds, a gorgeous and moving portrait of Black farmers in the American South, and Deaf President Now!, a rousing tale of student protest told through a bounty of archival footage, […]

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True/False 2025: “The Wolves Always Come at Night,” “The Silence of My Hands,” “Make It Look Real”

Image are an integral part of any movie, but particularly the following three films that screened at the True/False Film Festival in Columbia, Missouri this past week. The Wolves Always Come at Night blends documentary with fiction to craft a haunting and contemplative portrait of a Mongolian family’s past and present lives. The Silence of […]

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True/False 2025: “Writing Hawa,” “Requiem for a Tribe,” “A Want in Her”

Among the many reasons why the True/False Film Festival, Columbia, Missouri’s annual celebration of the documentary form, is my favorite festival to attend is that it highlights fresh (and frequently side-lined) perspectives. The three films I’ve written about below— Writing Hawa, Requiem for a Tribe, and A Want in Her— all swirl around topics of […]

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Review: “The Room Next Door”

A red door, whose eventual closure will mark a turning point in the lives and relationship between Martha (Tilda Swinton) and Ingrid (Julianne Moore), is just one of many simple yet strong visual markers placed throughout director Pedro Almodóvar’s The Room Next Door. Martha is dying of cancer and— unwilling to spend the rest of […]

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Review: “Emilia Pérez”

Jacques Audiard has been directing movies for 30 years, often playing with genre— from the crime picture A Prophet to the romantic drama Rust and Bone to the western The Sisters Brothers— but I wish I could be more impressed by the supreme confidence with which he pulls off his most audacious feature to date, […]

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