Review: “Road House” (2024)

If there’s one thing Rowdy Herrington’s 1989 sleaze-fest Road House understood, it was how best to utilize Patrick Swayze’s appeal as an object of desire. The morning after Swayze’s cool bouncer James Dalton blows into town, having taken a job at a rough-and-tumble bar called the Double Deuce in Jasper, Missouri (a tiny town that […]

Review: “Ghostbusters: Frozen Empire”

The self-seriousness of the nostalgia-bait Ghostbusters sequel to open with Robert Frost’s poem Fire and Ice is almost laughable. And yet, Ghostbusters: Frozen Empire— the fifth Ghostbusters movie and a direct sequel to 2021’s Ghostbusters: Afterlife— plays its ridiculous premise fairly straight. That fan service would abound in a movie that throws new characters alongside […]

Review: “Riddle of Fire”

“It’s like a modern-day Goonies” has turned into a catch-all phrase covering any sort of adventure story centered on children, particularly ones that are steeped in nostalgia (perhaps the most recognizable example is the Netflix series Stranger Things, which begins in the early 1980s a mere couple of years before Richard Donner’s The Goonies was […]

Review: “Love Lies Bleeding”

As soon as reclusive Lou (Kristen Stewart) glimpses statuesque body builder Jackie (Katy O’Brien) from across the gym she manages, we know she’s sunk. The way director Rose Glass allows the camera to absorb this expression of desire, and the sensuous way she lingers on the body, tracing every line of Jackie’s muscular frame, are […]

True/False 2024 Dispatch: “Daughters,” “Ibelin,” “Agent of Happiness”

For my final dispatch from this year’s True/False Film Festival, I’m highlight three movies that had their world premieres at Sundance at the start of the year. They are also all, coincidentally, highly emotional works, accomplishing everything from memorializing a life to examining what makes people happy to highlighting the need for systemic change in […]

True/False 2024 Dispatch: “Allo la France,” “A Band of Dreamers and a Judge,” “sr”

This collection of capsule reviews from the 2024 True/False Film Festival is all about quests: movies in which a filmmaker goes on a road trip to locate her country’s last remaining phone booths (Allo la France), in which stories involving giraffes across human history are gathered from virtually every corner of the world (sr), and […]

True/False 2024 Dispatch: “Obsolete,” “Boyz,” “Alien Island”

In this dispatch from the 2024 True/False Film Festival, I’m looking at two observational films that center around people at very different points in their lives. Sylvain Cruiziat’s Boyz depicts a trio of zoomer friends coming face-to-face with their vulnerabilities at a transitional moment in their lives, while Sumira Roy’s Obsolete looks at an elderly […]

True/False 2024 Dispatch: “Three Promises,” “A Photographic Memory,” “Background”

Quite a few films that screened at the 2024 True/False Film Festival dealt with memory, using photos and videos of the past to create a dialogue with the present. The three films I’ve reviewed below all take this approach in a broad sense, but use it to different ends: to learn about a mother her […]

True/False 2024 Dispatch: “As the Tide Comes In,” “The Other Profile,” “Flying Lessons”

This theme of this year’s True/False Film Festival was “the human paradox”, and while such complicated questions as what it means to be human and live a fulfilling life, often in a world where the odds are stacked against you, was evident across all the film’s programmed at the annual non-fiction festival, the immense variety […]

True/False 2024 Review: “Girls State”

I can’t think of a better first film screening of this year’s True/False Film Festival than Girls State. Jesse Moss and Amanda McBaine’s follow-up to their 2020 documentary Boys State (which also played at True/False) explores the other branch of the American Legion’s program that allows group of politically-motivated high school students from across their […]