Review: “Percy Green: Man of ACTION”

I’m not from St. Louis, but I’ve lived here long enough that it feels egregious that I’d never heard of activist Percy Green before. And I wonder how many other St. Louisans possess that same gap in their knowledge of local history. It’s a hole that director Joseph Puleo seeks to fill with his documentary […]

Review: “Trains”

Trains opens with a quote by Franz Kafka: “There is plenty of hope, an infinite amount of hope…but not for us.” Those are characteristically bitter words from the Jewish Czech writer, attributed to a conversation between Kafka and his writer friend Max Bond when the latter asked the former his thoughts on hope outside the […]

Review: “Chain Reactions”

What more can you say about a movie so iconic that there’s seemingly nothing new to be said? That sentiment doesn’t deter Alexandre O. Philippe, whose essay films encompass cinematic topics ranging from the obvious (David Lynch’s obsession with The Wizard of Oz, Kim Novak’s role in Vertigo) to the niche (the iconography of Monument […]

Review: “Megadoc”

“I built my career following Francis,” George Lucas states in new interviews conducted by Mike Figgis for his documentary Megadoc, a fly-on-the-wall chronicle of director Francis Ford Coppola’s epic Megalopolis, his decades-gestating, self-financed dream project that— following a lengthy and fraught production— finally premiered at Cannes last year to largely critical pans and mass confusion. […]

Review: “A Christmas Party”

We’ve all been there before, regardless of what precisely we celebrate or believe in: the family holiday party. The tense reunions, the awkward introductions of new partners, the petty squabbles over everything from politics to what’s for dinner. And we’ve all seen it depicted on screen countless times, too. So it’s a testament to Alexander […]

Review: “Downton Abbey: The Grand Finale”

Fifteen years, six seasons, 52 episodes, and 3 feature films later, change has finally arrived at Downton Abbey. It’s an inevitable fact of existence that the series, which opened with the 1912 sinking of the Titanic and now concludes (presumably) in 1930, the start of a decade rife with worldwide turmoil, has acknowledged while nonetheless […]

TIFF 2025: “Aki”

You won’t hear a word of spoken dialogue in Darlene Naponse’s Aki, an observational documentary depicting life in the indigenous Atikameksheng Anishnawbek territory of Northern Ontario. But the movie is far from silent. Naponse— a native of the region— uses her connection with the community to craft a sonically and visually rich story of the […]

TIFF 2025: “Ghost School”

At the start of Seemab Gul’s debut feature film Ghost School (Pakistan’s sole entry in this year’s Toronto International Film Festival), curious 10-year-old Rabia (Nazualiya Arsalan), backpack slung over her shoulders, sets off for school like any other day. But what awaits her there is a far from average sight: a guard standing outside the […]

Venice 2025: “Made in EU,” “Silent Rebellion,” “Songs of Forgotten Trees,” “Divine Comedy”

I’ve reached the end of my time covering the Venice Film Festival (and sitting on the beach on the Lido), my first visit not only to that event, but to Italy. As exciting as it is to experience the big, buzzy premieres at the kickoff to awards season, I tend to find discovering movies in […]

Venice 2025: “Elvira Notari: Beyond Silence”

Three complete features, two shorts, and four fragments are all that survives of the 160 movies Elvira Notari, Italy’s first female filmmaker, made between 1906 and 1930. She was incredibly prolific, even founded her own studio based out of Naples, Dora Film. And yet, you’ve likely never heard of her, the loss of nearly the […]