Tribeca Review: “Let the Canary Sing”

“She deserves better” was the first thought that crossed my mind as the credits rolled on Let the Canary Sing, Alison Ellwood’s documentary on the life and career of the pop star Cyndi Lauper. Lauper, who became an instant icon of 80s youth with the release of her album She’s So Unusual (which featured songs […]

Tribeca Review: “Öte”

“Wait—you’re here alone?” That’s a question I’ve received a lot over the years, the almost guaranteed first reaction of strangers when I strike up a conversation with them in a city that isn’t my own. I’ve mostly gotten used to it, first from traveling for work, and then from traveling on my own for pleasure. […]

Tribeca Review: “Cinnamon”

Writer/director Bryian Keith Montgomery Jr.’s stylish debut feature film Cinnamon is described as recalling 70s Blaxploitation films. Naturally, this requires some unpacking of that subgenre, whose name was coined literally from a portmanteau of the words “black” and “exploitation.” As much as Blaxploitation movies—whose stories usually revolved around crime and graphic violence—centered around empowering Black […]

Tribeca Review: “Smoking Tigers”

When we first meet 16-year-old Hayoung (Ji-Young Yoo), she’s wandering around the neatly-appointed furnishings of a clearly upper-class home. She finds the bathroom, sits in the bathtub, stretches out. But as much as she seems at ease with making herself at home here, this house isn’t hers. As we glean from the next scene, in […]

Tribeca Review: “Stan Lee”

“If I had superhuman powers, would I still have to worry about making a living, or having my dates like me?” This portion of a quote from Stan Lee that opens the documentary of the same name asks a simple question, but nudges at what made him such a visionary in the comic book world. […]

Tribeca Review: “Rather”

Does anyone watch the evening news live on cable television anymore? The media landscape has altered so drastically over just the last decade alone that between streaming services, cutting the cord, and social media (how many young people especially receive their news in bite-sized chunks from scrolling Twitter or TikTok, regardless of the trustworthiness of […]

Tribeca Review: “The Future”

In writer and director Noam Kaplan’s The Future, the world—or at least, the city of Jerusalem—is recognizable, yet rendered ever so slightly, ever so unsettlingly, off-kilter. Israel is on the cusp of launching a manned mission to the moon. Upbeat commercials advertise new tech of the bleakest sort: a program that uses an algorithm to […]

Tribeca Review: “Breaking the News”

In early 2017, Donald Trump was sworn in as President, and the Women’s March on Washington served as a scream for many of America’s frustrated and scared inhabitants. Amidst the fear and uncertainty, journalist Emily Ramshaw saw a possibility. She left her steady job with the Texas Tribune along with colleague Amanda Zamora and started […]

Review: “Spider-Man: Across the Spider-Verse”

There are your run-of-the-mill superhero movies that dominate theaters these days, and then there’s Spider-Verse. Sony Pictures Animation’s 2018 feature Spider-Man: Into the Spider-Verse, which thrust Miles Morales (an Afro-Latino Brooklyn teen who takes up the mantle of Spider-Man and a less-than-familiar face outside of comic books) into the center of the narrative. It’s a […]

Review: “The Little Mermaid” (2023)

It all started around 2010. In the aftermath of the studio’s return to animated princess stories with The Princess and the Frog and on the heels of the release of their next one, Tangled, then-Walt Disney Animation Studios chief creative officer John Lasseter stated that the storied animation house—the bulk of whose legacy rests on […]