Review: “Twilight” (1990)

Hungarian filmmaker György Fehér’s 1990 noir Twilight (Szürkület), loosely based on Friedrich Dürrenmatt’s 1958 novel The Pledge: Requiem for the Detective Novel, is a film that’s been so rarely seen, there isn’t even an existing Wikipedia article about it, and the press release announcing its new 4K restoration wasted no time drawing a comparison to […]

Review: “Blackberry”

Ask most people now, and they probably would consider the BlackBerry a bit of a joke. One of the first iterations of the smartphone, the rapid decline of the company paired with the design of the phone itself—rather clunky, with a keyboard that takes up half of its surface, compared with the sleek all-touchscreen iPhone—would […]

Review: “Passion” (2008)

When friends gather at a restaurant—a glimpse at the sign above the entrance, El Secreto, not-so-subtly foreshadowing what’s about to occur inside— to celebrate Kaho’s (Aoba Kawai) birthday, the jovial gathering spirals into an evening fraught with questions and confusion when Kaho and her boyfriend Tomoya (Ryuta Okamoto) make an announcement that ought to have […]

Cinema Classics: “The FBI Story” (1959)

In just over a week, Martin Scorsese’s highly-anticipated next film, Killers of the Flower Moon, will have its world premiere at the Cannes Film Festival. The over three hour period epic is an adaptation of David Grann’s best-selling 2017 non-fiction book which details the Osage Indian murders. Occurring from roughly the 1910s through the early […]

Review: “The Taking”

John Ford. John Wayne. Cowboys and six-shooters, Native Americans and horses and epic battles to survive not only squabbles with other humans, but the unforgiving landscape they’ve settled in, one made of both towering beauty and abject terror. These elements, and dilemmas physical, moral, and spiritual, have come to define the western film genre. Just […]

Review: “Beau Is Afraid”

At first blush, Beau Is Afraid— the third feature from writer/director Ari Aster—is radically different from his previous works. Hereditary and Midsommar can both be more neatly classified as horror, while his three hour epic Beau Is Afraid can perhaps most succinctly be boiled down to an absurdist interpretation of the hero’s journey. But there’s […]

Review: “Are You There God? It’s Me, Margaret”

Fifty-three years ago, author Judy Blume published her now-iconic middle-grade novel Are You There God? It’s Me, Margaret, a book lauded and criticized in equal measure for its frank portrayal of girlhood. And for 50 years, Blume refused repeated attempts to purchase the films rights to the story of Margaret Simon, an 11-year-old girl who […]

Review: “Showing Up”

Lizzy (Michelle Williams) is an artist on the verge of a breakthrough—or a breakdown. Either path seems completely viable throughout Showing Up, writer and director Kelly Reichardt’s low-key yet incisive character study of a working modern artist. By day, Lizzy does administrative work for the Portland art school of which her mother Jean (Maryann Plunkett) […]

Review: “Renfield”

Dracula’s first introduction in Bram Stoker’s 1897 novel predates the founding of Universal Studios (then Universal Pictures) by a mere 15 years, but Universal possibly wouldn’t still be around if it wasn’t for the vampire. Financially struggling at the start of the 1930s, Universal’s new head Carl Laemmle Jr. (recently bestowed that title by his […]

Review: “Shazam: Fury of the Gods”

I’m in an optimistic mood, so let’s begin with something good: Shazam: Fury of the Gods improves on a major hang-up I had with its 2019 series-starter, Shazam! The film, a superhero origin story based on the DC comic, starred Asher Angel as Billy Batson, a troubled teen in the foster care system who is […]