Review: “Backspot”

Sports movie tropes abound in D.W. Waterson’s feature directorial debut Backspot, but it’s in how those tropes are employed that the film creates and sustains interest. Perhaps its most notable trait is that it centers around a sport that for a long time largely hasn’t been considered as such, both on and off screen. Cheerleading […]

Review: “L’immensità”

In Emanuele Crialese’s L’immensità, Andrew (Luana Giuliani) is a 12-year-old boy wresting with his gender identity. Born Adriana, his parents Felice (frequent Crialese collaborator Vincenzo Amato) and Clara (Penélope Cruz) still call him by that name, and address him as “young lady.” They aren’t exactly hostile, and yet, their inability to understand or, in the […]

Tribeca Review: “Break the Game”

Narcissa Wright is more than just an avid gamer. You could say that video games are her life. She’s set speed run records in many games (that’s when you beat a game as fast as possible in one go), competing in competitions and winning awards. Thousands of followers watch her Twitch streams. But as supportive […]

Tribeca Review: “Chasing Chasing Amy”

In 1994, Kevin Smith’s black-and-white, low-budget comedy Clerks took the indie film world by storm, first at its Sundance premiere (which it entered with virtually no buzz), then critics and audiences, cracking many end-of-the-year lists. Smith’s 1995 follow-up Mallrats was less well-received. But it’s Smith’s third film set in the same universe, the 1997 romantic […]