Review: “Dandelion”

KiKi Layne is a star, and that’s no more apparent than when she’s playing a person struggling so hard to become one. In writer and director Nicole Riegel’s second feature, Dandelion, it’s a bit too on-the-nose that Layne’s titular character, a struggling singer/songwriter, is named for the perennial that is famed for its ability to […]

Review: “MaXXXine”

“To be good is to be forgotten. I’m going to be so bad I’ll always be remembered. The reason good women like me and flock to my pictures is that there is a little bit of vampire instinct in every woman. I will continue doing vampires as long as people sin.” Theda Bara reportedly stated […]

Review: “Horizon: An American Saga- Chapter 1”

As the credits rolled on the first part of Kevin Costner’s epic western series, Horizon: An American Saga— Chapter 1, I had but one thought: “I cannot believe he’s promised three more of these.” For those who have never seen a western before, or possess only a fleeting familiarity with the genre, Horizon is serviceable. […]

Review: “Kinds of Kindness”

How far would you go to prove your love to another person? Acts of devotion— heightened to their most extreme, absurdist peaks— are in a way what just about all of Greek filmmaker Yorgos Lanthimos’ films are about, harkening back to his breakout third feature, 2009’s Dogtooth (in which parents protect their children from the […]

Review: “The Bikeriders”

As someone who spends approximately 85% of her time driving around the Midwest, I’m afraid I have no choice but to call bullshit on The Bikeriders’s portrayal of the region. It isn’t so much an aesthetic issue, although it’s fairly obvious that the film, set in Chicago and its nearby suburbs, wasn’t shot in Illinois […]

Review: “Humanist Vampire Seeking Consenting Suicidal Person”

It’s always refreshing to witness a new take on a well-worn genre. Humanist Vampire Seeking Consenting Suicidal Person, the feature directorial debut of Montreal-based director and co-writer Ariane Louis-Seize, doesn’t exactly contain any vampire movie tropes we haven’t seen before. It’s a little bit of a teen movie, a little bit of a horror film, […]

Review: “Flipside”

Chris Wilcha begins his documentary Flipside at an art gallery, where photographer Herman Leonard is exhibiting some of his work. Leonard is most well-known for his stunning photographs of some of the greatest jazz musicians who ever lived, and gives the viewer a mini tour of images of Nat King Cole, Duke Ellington, and others. […]

Review: “Backspot”

Sports movie tropes abound in D.W. Waterson’s feature directorial debut Backspot, but it’s in how those tropes are employed that the film creates and sustains interest. Perhaps its most notable trait is that it centers around a sport that for a long time largely hasn’t been considered as such, both on and off screen. Cheerleading […]

Review: “Furiosa: A Mad Max Saga”

“Do you have what it takes to make it epic?” Dementus (Chris Hemsworth) asks this question of Furiosa (Anya Taylor-Joy) toward the end of Furiosa: A Mad Max Saga. But it might just as well be a challenge offered to director George Miller. To say that Miller’s 2015 action movie Mad Max: Fury Road came […]

Review: “Evil Does Not Exist”

Patience is not merely a virtue when it comes to viewing Ryusuke Hamaguchi’s work; it’s a demand, a requirement he places upon the audience when they enter in to one of his worlds, whether it’s the tentatively building intrigue of his Vertigo riff, Asako I & II, the drawn out car rides and conversations that […]