Review: “The Rescue”

In 2018, the world was held rapt by the story of 12 young soccer players and their coach, who became trapped deep in a cave in Thailand, flooded by monsoon rains. But the enthralling discovery by divers that all 13 individuals were still alive deep underground 10 days after their disappearance comes less than halfway […]

Review: “The Addams Family 2”

2019’s animated “The Addams Family” movie was a disappointment largely in how it shoehorned its unconventional characters into such a conventional plot, but at least it showcased the weirdness of each character and the spooky mansion they live in. Not even that can be said for its new sequel, “The Addams Family 2,” which sees […]

Review: “Bergman Island”

“Bergman Island” is one of those movies that I had to watch twice before I could really start to grasp its intricacies. There’s no doubt that writer/director Mia Hansen-Løve’s movie has a lot for film fans to chew on. Set on Fårö, the Swedish island where the legendary director Ingmar Bergman lived, worked, and was […]

Review: “No Time to Die”

Six actors (seven, if you’d like to throw David Niven in there for the 1967 parody “Casino Royale”) have portrayed Agent 007 in the nearly 60 years since a tuxedo-clad Sean Connery first introduced himself as “Bond, James Bond” in 1962’s “Dr. No.” They’ve all come and gone over the years without a lot of […]

Review: ”Venom: Let There Be Carnage”

I’ll be the first to admit that I— along with many others— entered 2018’s “Venom” with the wrong expectations (you can read my lukewarm review from its initial release here). I distinctly remember sitting in the theater, not quite able to believe what I was watching. A gritty, serious comic book movie, “Venom” is not. […]

Review: “Titane”

“Titane” may have only just been released in theaters stateside, but writer/director Julia Ducournau’s second feature, which recently won the Palme d’Or at Cannes, is already notorious for its main character’s, um, affinity for automobiles. But there is way more to “Titane” than that. It’s a horror film, sure, one that involves pregnancy and self-mutilation […]

Review: “Falling for Figuro”

The romantic comedy genre has touched almost every imaginable environment or scenario, but I can’t think of one set in the world of opera. Director Ben Lewin’s “Falling for Figuro,” which follows rival opera singers who fall in love, may ultimately adhere to the expectations of the genre, but it also occasionally subverts them, and […]

Review: “Dear Evan Hansen”

Like most musical theatre fans, I was all over the “Dear Evan Hansen” Broadway cast recording when it was released in early 2017. The collection of pop tunes written by Benj Pasek and Justin Paul, who were also behind the popular musicals “La La Land” (which I like) and “The Greatest Showman” (which I loathe) […]

Review: “Cry Macho”

Clint Eastwood has long asserted that 1992’s “Unforgiven” would be the last film he made in the western genre, the genre that both began and defined his screen career. Beginning with a lead role in the late 1950s television series “Rawhide,” then embodying the now-iconic antihero the “Man with No Name” in Sergio Leone’s “Dollars” […]

Review: “The Card Counter”

“I like the regime. I like the routine.” So says William Tell (Oscar Isaac) of his time in prison, seen at the start of writer/director Paul Schrader’s “The Card Counter,” a line delivered in the moody noir anti-hero narration that continues throughout the film. The same could also be said of Tell’s time outside of […]