Review: “L’immensità”

In Emanuele Crialese’s L’immensità, Andrew (Luana Giuliani) is a 12-year-old boy wresting with his gender identity. Born Adriana, his parents Felice (frequent Crialese collaborator Vincenzo Amato) and Clara (Penélope Cruz) still call him by that name, and address him as “young lady.” They aren’t exactly hostile, and yet, their inability to understand or, in the […]

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Review: “Asteroid City”

Asteroid City, population 87. You can stand in the middle of the highway that runs through it, turn 360 degrees, and absorb the town in its entirety. There’s the cozy roadside diner and neighboring auto shop. The motor court, with its orderly rows of neatly-appointed white cabins (except for Cabin #7, temporarily replaced by a […]

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Review: “Elemental”

Elemental is that classic tale of boy meets girl, boy loses girl, boy makes grand heroic gesture to win girl back. I’d say that with their 27th feature film, Pixar Animation Studios put their own spin on the old romance trope, but they sort of don’t—except that the boy, in this case, is a being […]

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Tribeca Review: “The Future”

In writer and director Noam Kaplan’s The Future, the world—or at least, the city of Jerusalem—is recognizable, yet rendered ever so slightly, ever so unsettlingly, off-kilter. Israel is on the cusp of launching a manned mission to the moon. Upbeat commercials advertise new tech of the bleakest sort: a program that uses an algorithm to […]

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Review: “Spider-Man: Across the Spider-Verse”

There are your run-of-the-mill superhero movies that dominate theaters these days, and then there’s Spider-Verse. Sony Pictures Animation’s 2018 feature Spider-Man: Into the Spider-Verse, which thrust Miles Morales (an Afro-Latino Brooklyn teen who takes up the mantle of Spider-Man and a less-than-familiar face outside of comic books) into the center of the narrative. It’s a […]

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