Review: “The Taste of Things”

If cooking is one of the most romantic things you can do for another person, then surely Trần Anh Hùng’s The Taste of Things is the most sumptuous instance of that action being committed to film. Immediately, Hùng immerses the viewer in the act, not just the preparing and serving of food, but taking us […]

Review: “Argylle”

“This was our song,” a man murmurs to a woman as they tenderly sway to the music across the dance floor. The song in question is “Now and Then,” a “new” song by the “Beatles” that was released in November 2023— nearly two years after principal photography wrapped on Matthew Vaughn’s Argylle. The song, in […]

Review: “The Zone of Interest”

The following review contains some spoilers for the ending of The Zone of Interest. Any time a filmmaker holds on a shot for a length of time, the audience becomes aware of their role as voyeurs. We’re yanked out of the most likely reason why we’re watching the movie in the first place— to escape, […]

Review: “Bye Bye Tiberias”

Hiam Abbass craved escape. At least, that’s what she remembers. As she rifles through a stack of letters she wrote to her parents shortly after her mother’s passing, she is specifically searching for the one she penned to explain to them why she left home, because she can’t quite recall what she said in it. […]

Review: “Origin”

Origin is about as ambitious an adaptation imaginable. It’s a fitting project for director Ava DuVernay, who—whether working in narrative features or documentaries or television— has always swung for the fences. Her film is based on journalist Isabel Wilkerson’s 2020 nonfiction bestseller Caste: The Origins of Our Discontents, which posits that racism in the United […]

Review: “Mean Girls” (2024)

One afternoon in the middle of December 2018, I hoofed it a good eight blocks across the packed streets of Manhattan as tourists crowded around Rockefeller Center and the department store shop windows to catch a glimpse of the city’s elaborate Christmas decorations to the August Wilson Theatre to watch Mean Girls— not the 2004 […]

Review: “Maestro”

“Great gowns, beautiful gowns.” The comment thrown by Aretha Franklin in reference to Taylor Swift in a 2014 interview that has often been read as god-tier shade is the first reaction that popped into my head as the credits rolled on Bradley Cooper’s sophomore feature, Maestro. Cooper’s portrait of legendary composer and conductor Leonard Bernstein […]

Review: “Eileen”

When we first meet Eileen Dunlop (Thomasin McKenzie), she’s sitting in her car by the chilly New England seaside, shoving a handful of snow down her skirt after witnessing a couple making out in another car parked nearby. Later, at her job at a local corrections facility, she fantasizes about the attractive guard on duty, […]

Review: “May December”

Most cinematic retellings of true stories traffic in impersonation. And we, as a culture, reward that. Praise isn’t necessarily heaped on an actor for the soulfulness and honesty of their performance, but for how closely they arrive at an approximation of what we perceive to be real. Think about how so many of the most […]

Review: “Saltburn”

Gloomy atmosphere, haunted castles, grotesque characters, cursed families, doomed romances— these elements and more have come to define the gothic genre, the first entry into which is generally considered to be English writer Horace Walpole’s 1764 novel The Castle of Otranto. Walpole’s tale of the lord of a manor and his family was inspired by […]