Review: “Emilia Pérez”

Jacques Audiard has been directing movies for 30 years, often playing with genre— from the crime picture A Prophet to the romantic drama Rust and Bone to the western The Sisters Brothers— but I wish I could be more impressed by the supreme confidence with which he pulls off his most audacious feature to date, […]

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Fantastic Fest Dispatch: “What Happened to Dorothy Bell?”, “The Draft!”, “Ghost Killer”

Ghosts and supernatural entities are common threads weaving together these three films that premiered at Fantastic Fest 2024— the annual festival in Austin, Texas highlighting genre films— but those horror trappings also give way to character studies that are accomplished with varying degrees of success. Read on for my reviews of the found footage horror […]

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TIFF Review: “Querido Trópico”

Fractured mother/daughter relationships make ripe stories for some of the most compelling cinema, even when they are versions of the same tale we’ve seen time and time again. That statement certainly applies to Querido Trópico (Beloved Tropic), a Panamanian drama that is the first narrative feature from director Ana Endara (who has four feature-length documentaries […]

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Tribeca Review: “Satisfied”

If you were alive of a reasonable age between 2015 and 2016, you’ve heard of Hamilton. More likely than not, you, along with much of the rest of the world, were a little obsessed with it, Broadway fan or no. Lin-Manuel Miranda’s hip-hop interpretation of the life of America’s first Secretary of the Treasury, Alexander […]

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Tribeca Review: “Following Harry”

When we meet Harry Belafonte at the start of Following Harry— Susanne Rostock’s documentary culled from footage from the final 12 years of his life— he’s well into his 80s, and wearing a gray hoodie emblazoned with the name “Trayvon.” It’s an image that Rostock doesn’t linger on, but it’s nevertheless striking: that this man, […]

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Tribeca Review: “1-800-ON-HER-OWN”

It’s difficult to condense a whole life into one feature-length film. Dana Flor’s 1-800-ON-HER-OWN, a documentary centering on 90s folk music icon Ani DiFranco, wisely chooses to focus primarily on just one segment of her subject’s very full life and career. The issue, however, is that Flor concentrates on arguably the most banal period of […]

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