Review: “Evil Does Not Exist”

Patience is not merely a virtue when it comes to viewing Ryusuke Hamaguchi’s work; it’s a demand, a requirement he places upon the audience when they enter in to one of his worlds, whether it’s the tentatively building intrigue of his Vertigo riff, Asako I & II, the drawn out car rides and conversations that […]

Review: “I Saw the TV Glow”

When I was around preschool age, the TV show Might Morphin Power Rangers— which ran from 1993 to 1996— was huge in the circle of other kids I knew. My mom wouldn’t let me watch it, believing it was too scary. I was allowed, however, to watch Batman: The Animated Series, and that specific iteration […]

Review: “The Fall Guy”

It started at the Oscars. When Ryan Gosling and Emily Blunt teamed up to present a salute to the stunt community at this year’s Academy Awards (an odd bit of promotion considering that no Oscar for stunt work currently exists and there’s no evidence of it coming on the horizon), their playful ribbing of each […]

Review: “Challengers”

“Tennis is a relationship.” Tennis prodigy Tashi Duncan (Zendaya) utters these words as she’s stretched out by the beach, late into the evening following a party at the junior’s segment of the U.S. Open. She’s addressing Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist), a pair of old school friends competing as a doubles […]

Review: “The People’s Joker”

If I regret one thing about my experience covering the 2022 Toronto International Film Festival, it’s returning my ticket for the Midnight Madness world premiere of Vera Drew’s The People’s Joker. My reasons for doing so have nothing to do with the film itself; as a lifelong Batman fan and a bonafide hater of Todd […]

Review: “Civil War”

I can’t help but admire Alex Garland for the feature of his fourth film, Civil War, that bugs me the most. Set in a near but indeterminate future, the British writer and director turns his gaze on America, examining a horrific yet (post-January 6, 2021) not implausible consequence of partisan politics driving civilians to the […]

Review: “Monkey Man”

That Dev Patel’s Monkey Man— not only the actor’s directorial debut, but his brainchild, having also conceived the story, co-written the screenplay, and produced it in addition to starring in it— would be compared to the John Wick series was inevitable, even if all they share in common is their centering on a lone man […]

Review: “Godzilla x Kong: The New Empire”

Any new Godzilla movie always has my expectations working somewhat against it. My younger brother watched and rewatched Roland Emmerich’s 1998 Godzilla so many times after it was released— almost daily— I’m surprised he didn’t ruin the VHS tape. But he also went back and watched several of Toho Co.’s original films (albeit the horribly […]

Review: “Road House” (2024)

If there’s one thing Rowdy Herrington’s 1989 sleaze-fest Road House understood, it was how best to utilize Patrick Swayze’s appeal as an object of desire. The morning after Swayze’s cool bouncer James Dalton blows into town, having taken a job at a rough-and-tumble bar called the Double Deuce in Jasper, Missouri (a tiny town that […]

Review: “Ghostbusters: Frozen Empire”

The self-seriousness of the nostalgia-bait Ghostbusters sequel to open with Robert Frost’s poem Fire and Ice is almost laughable. And yet, Ghostbusters: Frozen Empire— the fifth Ghostbusters movie and a direct sequel to 2021’s Ghostbusters: Afterlife— plays its ridiculous premise fairly straight. That fan service would abound in a movie that throws new characters alongside […]