Tribeca Dispatch: “Don’t You Let Me Go,” “Color Book”, “Bitterroot”

Stories of family, both of the blood and found variety, have populated many of the programmed features at this year’s Tribeca Film Festival. Below are three of them representing familial tales from different cultures and various parts of the world making their world premieres at the festival: Don’t You Let Me Go, Color Book, and […]

Tribeca Review: “Arzé”

In the opening shots of Arzé, director Mira Shaib and cinematographer Heyjin Jun track their title character (played by Diamond Abou Abboud) through the streets of Beirut as she runs errands, capturing the bustling energy of the city in a way that points toward the kinetic pace that will fast pervade the rest of the […]

Tribeca Review: “New Wave”

When Elizabeth Ai set out to make her documentary New Wave, it was to strictly be a film about the music phenomenon that originated in Orange County, California in the 1980s. The city’s Little Saigon area saw a large influx of Vietnamese immigrants relocating due to the Vietnam War, and the trend capitalized on that […]

Tribeca Review: “Pirópolis”

It begins with an image of staggering horror and beauty: flames and smoke engulfing a line of trees, the sounds of crackling and popping overtaking the natural landscape, signifying its rapid destruction. Director Nicolás Molina lingers on this shot for quite some time before cutting to a closer up look at the trees, then pulling […]

Tribeca Review: “Black Table”

1994 saw the highest number of Black students enrolled in Yale in the university’s history. But that statistic didn’t necessarily indicate increased inclusivity on campus. Enrollment among Black students at Yale peaked in 1997. Many of those Black students chose to band together, sitting at a table in the school’s lavish grand hall that was […]

Tribeca Review: “Missing From Fire Trail Road”

At the end of 2020, Mary Ellen Johnson-Davis, a resident of the Tulalip Indian reservation outside Seattle, vanished in plain sight. Her husband, a white man with whom she had reportedly been experiencing some marital issues, reported her disappearance to the authorities and then washed his hands of the matter. Officially, the investigation is at […]

Tribeca Review: “Linda Perry: Let It Die Here”

Most people likely know Linda Perry as the lead singer and songwriter of 4 Non Blondes, the San Francisco-based rock band who had a smash hit single with the song “What’s Up?” from 1992’s “Bigger, Better, Faster, More!”— their first and only album. But Perry’s career has been anything but a one-hit wonder. After 4 […]

Review: “Flipside”

Chris Wilcha begins his documentary Flipside at an art gallery, where photographer Herman Leonard is exhibiting some of his work. Leonard is most well-known for his stunning photographs of some of the greatest jazz musicians who ever lived, and gives the viewer a mini tour of images of Nat King Cole, Duke Ellington, and others. […]

Review: “Backspot”

Sports movie tropes abound in D.W. Waterson’s feature directorial debut Backspot, but it’s in how those tropes are employed that the film creates and sustains interest. Perhaps its most notable trait is that it centers around a sport that for a long time largely hasn’t been considered as such, both on and off screen. Cheerleading […]

Review: “Furiosa: A Mad Max Saga”

“Do you have what it takes to make it epic?” Dementus (Chris Hemsworth) asks this question of Furiosa (Anya Taylor-Joy) toward the end of Furiosa: A Mad Max Saga. But it might just as well be a challenge offered to director George Miller. To say that Miller’s 2015 action movie Mad Max: Fury Road came […]