Review: “Bye Bye Tiberias”

Hiam Abbass craved escape. At least, that’s what she remembers. As she rifles through a stack of letters she wrote to her parents shortly after her mother’s passing, she is specifically searching for the one she penned to explain to them why she left home, because she can’t quite recall what she said in it. […]

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Review: “We Kill for Love”

A man walks into a cluttered room, settles in, and slowly begins to unpack its contents: dusty pulp novels, VHS tapes of long-forgotten films with titles like Illicit Dreams, Secret Games, and Lipstick Camera that flicker to life in all their low-res glory on a tiny TV set. A narrator (Anthony Penta) identifies this man […]

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Tribeca Review: “Stan Lee”

“If I had superhuman powers, would I still have to worry about making a living, or having my dates like me?” This portion of a quote from Stan Lee that opens the documentary of the same name asks a simple question, but nudges at what made him such a visionary in the comic book world. […]

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Tribeca Review: “Rather”

Does anyone watch the evening news live on cable television anymore? The media landscape has altered so drastically over just the last decade alone that between streaming services, cutting the cord, and social media (how many young people especially receive their news in bite-sized chunks from scrolling Twitter or TikTok, regardless of the trustworthiness of […]

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Tribeca Review: “Chasing Chasing Amy”

In 1994, Kevin Smith’s black-and-white, low-budget comedy Clerks took the indie film world by storm, first at its Sundance premiere (which it entered with virtually no buzz), then critics and audiences, cracking many end-of-the-year lists. Smith’s 1995 follow-up Mallrats was less well-received. But it’s Smith’s third film set in the same universe, the 1997 romantic […]

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