Venice 2025: “The Kidnapping of Arabella”

The Kidnapping of Arabella isn’t about a kidnapping— at least, not in the usual sense. For one, the parties involved have their roles reversed. Arabella (Lucrezia Guglielmino, a great find with her crooked smile and discerning squint), the little girl who’s supposedly captured, not only willingly goes with her captor— she begs her to take […]

Venice 2025: “La Grazia”

Who owns our days? That question is posed by Dorotea (Anna Ferzetti) to her father, Mariano De Santis, the President of the Italian Republic (Toni Servillo), about a quarter of the way through Paolo Sorrentino’s La Grazia, and— following the Italian filmmaker’s established pattern— is repeated several more times throughout the film’s runtime. Sorrentino has […]

Review: “Highest 2 Lowest”

It begins with a sweeping shots of the New York City skyline, just as that magic hour when the sun begins to peak over the horizon hits. The light dazzlingly reflects off the buildings, the water and windows of icons tall and small appearing gloriously warm as the strains of “Oh, What a Beautiful Mornin’” […]

Review: “Sorry, Baby”

A few weeks ago, while rummaging around a cabinet in my office in search of a notepad with some blank pages that I could bring with me to the theater, I stumbled across a morbid little artifact: a thick notebook with gilt-edged pages and a soft, textured pink cover held in place by a metal […]

Review: “Catching Bullets”

In 2019, St. Louis, Missouri experienced the highest per capital murder rate of any city in the United States, a sobering statistic whose resolution was made all the more pressing by the fact that 13 of those deaths recorded over that summer were children. Within the first three hours of 2020, the city had already […]

Review: “Together”

Almost everything about Together— the debut feature from writer and director Michael Shanks— is precise. The formal rigor of its lore-heavy script. The perfectly matched leads in Dave Franco and Allison Brie, long-term partners in real life playing long-term partners on screen. The exquisitely-rendered visual effects, which are just squirm-inducing enough to make the audience […]

Review: “Dead Lover”

Dead Lover isn’t shy about its status as a Frankenstein riff. In fact, it opens with a quote from Mary Shelley’s novel: “There is something at work in my soul, which I do not understand.” In the story, this line is delivered by the doctor Victor Frankenstein, as he ponders what force may be compelling […]

Review: “Videoheaven”

One of my most vivid childhood memories occurred in a video store: at the ripe age of eight, I fell to my knees in despair in the check-out line at my local Blockbuster in Ocala, Florida upon hearing that all the store’s copies of Return of the Jedi were checked out. Already dancing on pins […]

Review: “Superman” (2025)

Richard Donner’s 1978 Superman still inspires a sense of awe with each subsequent rewatch, nearly 50 years after its initial release. I can’t quite say why this hold true for me too, seeing as how I wasn’t even alive when it premiered. Maybe it’s Christopher Reeve’s impressive performance, and how he subtly alters his physicality […]

Review: “F1”

The racing sequences in F1 are slick and propulsive. That’s evident from the jump, when former F1 star and current fallen-from-grace-racer-for-hire Sonny Hayes (Brad Pitt) hops into his car at the 24 Hours of Daytona. The quick cuts and the cinematography (with several cameras positioned inside each car granting a first-hand perspective of the race), […]