Review: “Flipside”

Chris Wilcha begins his documentary Flipside at an art gallery, where photographer Herman Leonard is exhibiting some of his work. Leonard is most well-known for his stunning photographs of some of the greatest jazz musicians who ever lived, and gives the viewer a mini tour of images of Nat King Cole, Duke Ellington, and others. […]

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Review: “Backspot”

Sports movie tropes abound in D.W. Waterson’s feature directorial debut Backspot, but it’s in how those tropes are employed that the film creates and sustains interest. Perhaps its most notable trait is that it centers around a sport that for a long time largely hasn’t been considered as such, both on and off screen. Cheerleading […]

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Review: “Evil Does Not Exist”

Patience is not merely a virtue when it comes to viewing Ryusuke Hamaguchi’s work; it’s a demand, a requirement he places upon the audience when they enter in to one of his worlds, whether it’s the tentatively building intrigue of his Vertigo riff, Asako I & II, the drawn out car rides and conversations that […]

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Review: “I Saw the TV Glow”

When I was around preschool age, the TV show Might Morphin Power Rangers— which ran from 1993 to 1996— was huge in the circle of other kids I knew. My mom wouldn’t let me watch it, believing it was too scary. I was allowed, however, to watch Batman: The Animated Series, and that specific iteration […]

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Review: “The Fall Guy”

It started at the Oscars. When Ryan Gosling and Emily Blunt teamed up to present a salute to the stunt community at this year’s Academy Awards (an odd bit of promotion considering that no Oscar for stunt work currently exists and there’s no evidence of it coming on the horizon), their playful ribbing of each […]

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